Our Review of The Alchemist
Tom described the novel as a pleasant, concise read. Having read it
decades ago, he welcomed the opportunity to revisit it. He enjoyed following
Santiago’s transformation—from shepherd to crystal merchant to desert
traveler—and appreciated the book’s themes, particularly Santiago’s romantic
attachment to Fatima and his choice to pursue his quest despite it.
Stan wished he could have read the book in its original Portuguese but
still found the English translation reflective of other Brazilian literature
centered on village life. He saw the book as a string of parables exploring the
consequences of life choices.
Dean compared the novel to the Bible, reading it as an homage to the New
Testament, especially as Santiago wanders the desert in search of spiritual
clarity. He wondered whether the simplicity of the writing stemmed from the
translation, but ultimately saw the book as a meditation on self-discovery and
the idea that no single religion holds all the answers.
Terry had mixed feelings. At its best, he found the book a solid
allegory; at its worst, an exercise in Christian-style positive thinking. He
felt Coelho intentionally left room for readers to insert their own state of being
and personal perspective.
Doug appreciated the story’s “go for it” sentiment but found the book
more self-help than literature. Even so, he valued its affirming message that
faith—whatever its form—can manifest in daily life.
Larry felt the book would have held more meaning for him in his youth.
Now in his seventies, he sees himself at a life stage similar to Santiago’s
ending—comfortable, grounded, and surrounded by family. For Larry, life’s
journey eventually becomes less about personal dreams and more about those we
love.
Dan didn’t rank the book among his favorites. Despite its brevity, he
didn’t find it a quick read (though he appreciated that his edition included
pictures). He couldn’t believe how often Santiago lost his money to swindlers.
Still, he was glad to have read it, even if it left little impact.
Glen echoed the feeling that the novel is not literary fiction. He found
the character development thin and thought the book would fit well in a
high-school curriculum. He did appreciate its short length.
Garth felt the book attempted—but failed—to convey the idea that each
person is connected to the greater world. He cited the scene in which Santiago
“becomes the wind” as particularly clumsy, noting that such transcendent
experiences can be portrayed much more effectively. He shared an example from
his own life, recalling a similarly immersive moment while snorkeling in the
Galápagos.
Paul approached the book hoping for encouragement about pursuing one’s
dreams, and that is exactly what it provided. Though he didn’t consider it a
great work, he felt he took something meaningful from it.
Andrew described The Alchemist as Eat, Pray, Love for
teenage boys. To him, it read like a Hallmark-style guide to spirituality, with a smorgasbord of feel-good ideas designed to appeal to the widest possible audience.
Jack sensed there was a message somewhere in the story, but felt it was
obscured by its young-adult tone and a parade of familiar allegories. Though he
found a few passages compelling, he was mostly relieved the book was short.
Rating The Alchemist
In the end, the MBC agreed that while The Alchemist didn’t spin itself into gold for the group—earning a subpar 5.4—it has certainly been a golden goose for Paulo Coelho, with more than 150 million copies sold since its 1988 publication. Our general recommendation: for readers just beginning their life journey, or for those still searching for their Personal Legend, this short novel may provide meaningful inspiration. Or perhaps the real lesson is simpler: sometimes the treasure really is buried right beneath the tree in your own backyard.
Up Next: The History of Sound by Ben Shattuck
Jack proffered a surfeit of excellent titles, among them Nathan Hill's Wellness; Ben Shattuck's short story collection, The History of Sound; Preparation for the Next Life by Atticus Lish; Devil Makes Three by Ben Fountain; and Adam Ross' Playworld. We opted for the shortest in page length not from laziness but more out of curiosity about a short story writer whose work has gotten rave reviews. We'll see in January if they're deserved.

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