Question: what do you get when you pair a strangely-conceived children-abducted-by-pirates story written in 1929 with a gorgeous afternoon in Sonoma County?
Answer:
1. A contrite host;
2. A delicious Caribbean-style lunch;
3. A very spirited conversation;
4. An appreciation for why no one this side of the pond reads Richard Hughes, an Englishman who lived in a castle; or
5. All of the above.
Yes, over jerked chicken, spiced slaw, beans and rice, and a mouth-watering rum cake, we checked Answer No. 5 at Glenn's last Sunday.
Since we revel in the accomplishments of our children, we were all proud to hear that John's daughter Ali made the U.S. Women's Senior National Team this month. Were it an Olympic year, we would be watching Ali striving for gold. Way to go, Ali!
Our Review and Discussion of A High Wind in Jamaica by Richard Hughes
A High Wind in Jamaica attempts to tell two stories: one a swashbuckling pirate adventure and the other a story of children coming of age on the high seas. It starts with a hurricane in Jamaica whose destruction is so vast that Mr. and Mrs. Bas-Thornton are compelled to send their children home to England while they rebuild. During the voyage home, the children's ship is overtaken by pirates. The children are kidnapped by the pirates but by the end of the novel the captor-captive relationship reverses, and when the pirates are captured they find themselves entirely at the mercy of 11-year old Emily Bas-Thornton. Her courtroom testimony--motivated by a preternatural sense of self-preservation--leads to their execution.
Our discussion began and ended with apologies from Glenn. For, no matter how promising its premise, HWJ disappointed on every count. There was too little made of the pirates and too much of the children, according to Tom. It was, as Dean described, a "very crappy pirate story." As a children's story, it was even crappier...and mildly disturbing. Paul characterized it as a nasty version of Peter Pan. Jack was more charitable and assumed Hughes was writing for a Young Adult market--so presumably the novel's psycho-sexual undertones would avoid scrutiny. Wherever HWJ fit in the broad category of children's lit, our guest Mark was as underwhelmed as the rest of us. According to him, memorable children's fiction is invariably anchored by the extraordinary but, with no giant peach or chocolate river to fill its sails, HWJ was just another fantasy cast adrift.
(Ed. Note: If you're counting, that was three nautical puns in one sentence.)
Rating A High Wind in Jamaica
Not only was HWJ a clumsy attempt at pirate/kid fiction, it was also implausible (Roy), strange (Armando), and Disneyesque (Terry). With little to justify the hours we invested in it, it's no surprise we gave it our worst rating (5.3) in four years. We're inclined to forgive Daniel Handler for his effusiveness (since we raised our children on his Lemony Snicket books). But it's astonishing that the Modern Library included HWJ as No. 71 on its list of the top 100 novels of the 20th century.
Next Up: Hillbilly Elegy by J.D. Vance
Terry proposed an eclectic set of titles for May: the civil rights story behind the Groveland murders, Chouinard's entrepreneur-cum-environmentalist business book, a mass market spy thriller by Stuart Kaminsky, and JD Vance's memoir about growing up in Appalachia. We chose Vance in the hope that his story will help us better understand the angst of the white working class.
